The large collection of resources used by the Filecreator
HEY WRITER FRIENDS
there’s this amazing site called realtimeboardwhich is like a whiteboard where you can plan and draw webs and family trees and timelines and all that sort of stuff. you can also insert videos, documents, photos, and lots of other things. you can put notes and post-its and, best of all, you can invite other people to be on the board with you and edit together!!
this is really really awesome and a great tool for novel planning, so if you’re doing nanowrimo…. this could be good for you!!
This is a great website and helped me to lay out so many things. Use it. It’s beautiful.
How to end your novel
The Dos and Don’ts By James V. Smith Jr.
- Don’t introduce any new characters or subplots. Any appearances within the last 50 pages should have been foreshadowed earlier, even if mysteriously.
- Don’t describe, muse, explain or philosophize. Keep description to a minimum, but maximize action and conflict. You have placed all your charges. Now, light the fuse and run.
- Don’t change voice, tone or attitude. An ending will feel tacked on if the voice of the narrator suddenly sounds alien to the voice that’s been consistent for the previous 80,000 words.
- Don’t resort to gimmicks. No quirky twists or trick endings. The final impression you want to create is a positive one. Don’t leave your reader feeling tricked or cheated.
- Do create that sense of Oh, wow! Your best novelties and biggest surprises should go here. Readers love it when some early, trivial detail plays a part in the finale.
- Do enmesh your reader deeply in the outcome. Get her so involved that she cannot put down your novel to go to bed, to work or even to the bathroom until she sees how it turns out.
- Do resolve the central conflict. You don’t have to provide a happily-ever-after ending, but do try to uplift. Readers want to be uplifted, and editors try to give readers what they want.
- Do afford redemption to your heroic character. No matter how many mistakes she has made along the way, allow the reader—and the character—to realize that, in the end, she has done the right thing.
- Do tie up loose ends of significance. Every question you planted in a reader’s mind should be addressed, even if the answer is to say that a character will address that issue later, after the book ends.
- Do mirror your final words to events in your opener. When you reach the ending, go back to ensure some element in each of your complications will point to the beginning. It’s the tie-back tactic. Merely create a feeling that the final words hearken to an earlier moment in the story.
By James V. Smith Jr.
Hey guys! Sorry its been so inactive around here. I’m slowly but surely getting finished with my finals.
Anyway, I found this and thought I had to share. The way body language can tell how a person is really feeling is something that I consider very interesting. I think it would be a great way to show, in a subtle way, how a character is really feeing.
Hope its useful! And good luck with finals! Hopefully, this place will be a bit more active once summer kicks in.
This was FYCD’s most popular post, so I think it would be nice to see it again.
the third in a series of presentations I did about Creative Writing for students in my school who were interested in it (I’m in the business, so I was asked to talk about the things I’ve learned since my work was noticed).
I’m willing to send my presentations to those who want them :) apart from this I did one on creative writing in general and one on character crafting.
I’m also willing to answer questions about what it’s like to work with an editor and what kind of things will be asked of you. ^____^